As Spin recently pointed out , sales of dance music recordings have surged in the last year: Daft Punk and Avicii both snagged high rankings on the Billboard Top , and artists like Zedd, Martin Solveig, and Afrojack sold 1 million downloads each. And then, of course, there's the barely-legal electro-house heartthrob Martin Garrix, whose single "Animals" topped the UK charts a few months ago. All this makes it seem like EDM has finally "made it" in America—and in a way, it has, because dance music has never sold so many recordings, even during the disco and electronica booms of decades past.
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2. Bass Selective – Blow Out Part 2 (1992)
What criteria does a track need to meet to be considered a rave anthem? Perhaps it's the tune's historical significance in regards to the scene's development or the number of records it sold. But in reality, the diverse and far-reaching geography of clubland has evolved in such a way over the past 30 odd years that it's somewhat futile order to give the accolade to just a handful of tracks. Rave anthems are intimate and subjective, varying in size, sound and popularity. It's safe to say that hundreds are produced, reinterpreted, lost and rediscovered with each passing year. For us, we look at a rave anthem as being the kind of tune that is met with a blatant and recognized roar when it hits the floor. The type of song that makes you shoot up from your disco sit and run full speed into the crowd. It's a track that turns revelers into a linked unit of hedonistic behavior and drives the memories you bring home with you that night. While a colossal share of the world's most recognized rave anthems from the '90s come from Europe, we decided to narrow our search and concentrate on those that were born and bred in the USA.
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1. Hyper On Experience – Lord Of The Null Lines (1994)
Pleasure Original Mix. Franz Johann. Riding Cowbells Original Mix. Progressive House. Bass Of Space Original Mix.
Written by Ian McQuaid Published on Do U remember '92? This clutch of banging old-skool tunes will put a smile y on your face. This was a crazy, intense time for British music. New technology was coming out monthly, and producers were caught in an arms race to see who could squeeze the weirdest, freshest sounds from their gear. Whether UK dance music has ever sounded as crazy as this since is open to debate. Bass Selective — Blow Out Part 2